 |
|
|
| Dark Times |
 |
|
|
|
|
|
 |
|
| We dive into episodes 6-12 of OITNB’s thrilling second season, which explore the terrifying rise of Vee, the Poussey/Taystee relationship, and more. [Warning: Spoilers!] By Kevin Fallon |
|
|
|
|
| |
|
|
| Spoken Word |
|
|
|
|
|
|
 |
|
| The mainstream Tupac musical ‘Holler If Ya Hear Me’ is, in some ways, an act of defiance for the poet-actor-musician Saul Williams. Artists, after all, are here to disturb the peace. By Alex Suskind |
|
|
|
|
| |
|
|
| Misfits with Modems |
|
|
|
|
|
|
 |
|
| Awkward’s blogging heroine is a reimagining of the sensitive outsider, engineered for the digital era—she lives in a world where adolescent hierarchies are less important than ever. By Amy Zimmerman |
|
|
|
|
| |
|
|
|
|
| Journey |
|
|
|
|
|
|
 |
|
| There are no cathartic ‘gotcha’ moments, no easy answers, and no rapid-fire dialogue. ‘Rectify’ is to drama what ‘Louie’ is to comedy—an emotional marathon unlike anything on TV. By Jason Lynch |
|
|
|
|
| |
|
